There’s something about Chelsea Flower Show week that gets under your skin. I’ve been lucky enough to have designed / produced gardens there in 2015 and 2016, both Silver-Gilt medal moments that still sit very close to my heart. So, seeing the 2026 gardens unfold online has brought back a flood of memories — the pressure, the noise, the ridiculous lack of sleep, the last-minute planting, and that strange mix of terror and pride when the gates finally open. And yes, I’ll admit it, I’ve got serious FOMO not being there.

From what I’ve seen, this year’s show feels deeply thoughtful. In particular The Lady Garden Foundation’s Silent No More Garden (above) really stands out to me. It’s bold, sculptural and emotional, with water moving gently through the space and artwork that gives the garden a real sense of meaning. It’s a beautiful reminder that gardens can do more than just look good — they can tell stories and spark conversations.

I also love the stonework and sculpture in the Rural England garden. The textures feel raw and timeless, with dry-stone detailing and natural materials adding so much depth to the landscape. There’s a softness in the planting balanced against that solid permanence of stone, and for me, that contrast is what makes a garden memorable.

And of course, I have to mention the garden inspired by the train journey from Adelaide to Perth. Seeing an Australian story interpreted on the world stage at Chelsea feels incredibly special. The changing landscapes, native influences and sense of movement through the garden really capture the spirit of that cross-country journey.

One thing I keep noticing across almost all the gardens is water. Pools, rills, reflections, gentle movement — nearly every design seems to include some form of water feature. And honestly, it’s something I think Australian gardens could embrace more. Not huge, extravagant installations, but thoughtful water elements that bring sound, calm and atmosphere into a space. Even the smallest reflective bowl can completely change how a garden feels.

Chelsea has always been about inspiration, and this year’s gardens are no exception. If you get a chance, I’d really recommend heading to the Royal Horticulture Society (RHS) website and spending some time looking through the images properly. There’s so much detail and creativity packed into these spaces, and every garden seems to reveal something new the longer you look at it.

And I’d love to hear what stands out to you too — send us an email with your favourite garden or detail from this year’s show. I have a feeling everyone will see something completely different.